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    Inside the DMT Laser Experiment: Searching for the Simulation’s Source Code

    Dec 1, 2025

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    8분 읽기

    SUMMARY

    Independent researcher Danny Goler demonstrates his DMT laser experiment at a New Jersey lab, claiming it reveals the source code of a simulated reality, with participants viewing dynamic symbols and entities.

    STATEMENTS

    • Humans have questioned existence for millennia, proposing theories from creation myths to scientific explanations, including multi-dimensional realities like Valhalla, Hades, and heaven.
    • Danny Goler researches the connection between consciousness and matter, claiming to have discovered a repeatable experiment involving DMT and diffracted lasers that reveals a self-executing code.
    • The code appears as digital symbols and geometries in laser projections, unaffected by external conditions like temperature, music, or magnetic fields, suggesting it's fundamental to reality.
    • Participants in the experiment often see shared geometries and characters, allowing verification that multiple people perceive the same elements simultaneously.
    • Danny and partner Carter optimize setups in Faraday cages with matte surfaces to maximize visibility of the code, filming reactions for a documentary.
    • Reality is computational at its core, reversing the Matrix narrative: the simulated world is the true one, with physical matter as a subset of a larger computational space.
    • Simulation theory, explored in philosophy like Plato's cave and modern estimates, suggests a 50/50 chance we inhabit a simulated universe among nested ones.
    • DMT, a naturally occurring neuromodulator comparable to dopamine and serotonin in the brain, enhances perception when ingested, potentially opening channels to deeper reality layers.
    • Danny developed the technique from first principles, questioning if psychedelic spaces exist independently, leading to laser projections that reveal code after years of experimentation.
    • Entities sometimes appear in the laser light, suggesting accidental intrusion into their space, with insectoids identified as weavers of physical reality in Danny's visions.
    • Over 3,000 subjects have reportedly seen the code, providing testimonial evidence akin to legal witnesses, though scientific proof remains a goal with physicists involved.

    IDEAS

    • Projecting a diffracted laser under DMT influence unveils an infinite, self-running digital clock of symbols, hinting at an underlying programmable structure to the universe.
    • Shared perceptions among participants, like identifying specific tetrahedrons or characters, challenge individual hallucination claims and suggest an objective external phenomenon.
    • The code's indifference to environmental variables implies it's a baseline layer of reality, accessible regardless of observer state or conditions.
    • Reversing the Matrix: our perceived physical world is a limited subset of a vast computational reality, where simulation equals authenticity.
    • Nested simulations mean our consciousness, even if simulated, holds the same validity as any "base" reality, rendering the distinction irrelevant for lived experience.
    • DMT acts like a perceptual amplifier, naturally present in the brain, possibly key to interfacing with hidden dimensions beyond everyday senses.
    • Entities in the laser might inhabit unrendered simulation spaces, drawn by the light like curious neighbors peeking into our realm.
    • Proving psychedelic realms' independence requires boundary-crossing tools like lasers, treating them as geometric topologies with entry points.
    • Video game rendering analogies explain why lasers might glitch the simulation, exposing unrendered code behind unobserved walls.
    • Testimonial accumulation from thousands mirrors legal evidence standards, shifting burden from individual proof to collective validation for fringe science.
    • Visions of reality-weaving insectoids via satellite-like apparatuses reveal a mechanical, grid-based construction of our world from abstract symbols.

    INSIGHTS

    • Accessing simulation code through altered perception reframes existence as layered code, where physical pain and joy remain profoundly real despite computational origins.
    • Shared intersubjective experiences under controlled conditions bridge subjective psychedelics to objective science, demanding rigorous testing over dismissal.
    • Natural brain chemicals like DMT suggest evolution wired us to glimpse underlying realities, turning "hallucinations" into evolutionary tools for deeper awareness.
    • Entities' appearances imply a populated multiverse, where our probes accidentally contact cohabitants, expanding simulation theory to include interactive ecosystems.
    • Nested realities dissolve hierarchy: if simulators are simulated, all consciousness equates, freeing us from existential diminishment to embrace experiential truth.
    • Proving fringe phenomena requires scaling testimonials to scientific scrutiny, as collective human evidence can catalyze paradigm shifts beyond solitary genius.

    QUOTES

    • "We absolutely live in a simulation, and it is simulated by another civilization."
    • "It really feels like you're looking through a microscope into a whole new world that you never knew existed."
    • "The computational world is the real world. And we are in a subset from that real world that we call real physical, but it's actually just a tiny subset."
    • "If it's real, you can take the pressure."
    • "There's definitely someone in there. This is someone's home."

    HABITS

    • Danny maintains a rigorous first-principles approach to inquiry, breaking down complex questions like psychedelic reality into testable components involving light and geometry.
    • Participants are guided to diffuse focus like viewing magic eye images, training attention to penetrate surface illusions for deeper perception.
    • Danny documents reactions consistently through filming, prioritizing emotional responses over visuals to build evidentiary narratives.
    • Experimenters optimize environments meticulously, selecting matte surfaces and Faraday cages to isolate variables and enhance reliability.
    • Danny reflects on personal DMT visions long-term, integrating them into ongoing research without rushing conclusions after four years of validation.

    FACTS

    • DMT levels in rat brains match dopamine and serotonin during waking hours, indicating a fundamental role in daily perception and mood.
    • Ayahuasca, containing DMT, has been used in South American shamanic traditions for thousands of years for healing and visionary experiences.
    • Simulation theory posits a 50/50 probability of living in a simulated universe, based on nested computational worlds outnumbering base realities.
    • Terence McKenna described DMT entities as "self-transforming elf machines" made of syntax-driven light, not matter.
    • Plato's allegory of the cave illustrates perceived reality as mere shadows, a concept echoed in modern simulation hypotheses.

    REFERENCES

    • Plato's Allegory of the Cave
    • Zhuangzi's Butterfly Dream
    • The Matrix (film)
    • Brain in a Vat thought experiment
    • Terence McKenna's writings on machine elves
    • Ayahuasca traditional brew

    HOW TO APPLY

    • Ingest a measured dose of DMT via smoking to enhance perceptual channels, allowing access to altered states without overwhelming the system.
    • Select a diffracted laser pointer, preferably green for sharper resolution, and project it onto a matte, non-reflective surface like foam in a controlled environment.
    • Enter a Faraday cage or isolated space to minimize electromagnetic interference, mounting cameras to record reactions and verify setups.
    • Diffuse your gaze into the laser speckle field, treating it as a window rather than focusing on the surface, to penetrate the depth where symbols emerge.
    • Match perceptions with others by describing specific geometries or characters aloud, confirming shared views to distinguish from individual hallucinations.

    ONE-SENTENCE TAKEAWAY

    Danny Goler's DMT laser experiment suggests simulation code visibility, urging scientific scrutiny of perceptual boundaries for profound reality insights.

    RECOMMENDATIONS

    • Approach simulation claims with open empiricism, testing personally under safe conditions to discern subjective from intersubjective truths.
    • Integrate DMT research into mainstream neuroscience, exploring its natural role in perception for therapeutic and existential applications.
    • Collaborate across disciplines—physicists, philosophers, engineers—to formalize fringe experiments into replicable scientific protocols.
    • Reflect on nested realities to alleviate existential dread, emphasizing conscious experience's value over origin debates.
    • Document psychedelic encounters rigorously, building testimonial databases to pressure institutional validation of anomalous phenomena.

    MEMO

    In a dimly lit lab in New Jersey, Danny Goler, an independent researcher with a penchant for the profound, invites skeptics and seekers alike to peer beyond the veil of ordinary sight. His tool? A simple diffracted laser beam, paired with the potent psychedelic DMT. Goler claims this unassuming setup reveals the "code of reality"—a cascade of moving symbols, geometries, and even entities—that underpins our simulated existence. What begins as shimmering specks on a foam wall morphs, under the right gaze, into an infinite digital tapestry, indifferent to the observer's whims or the room's acoustics. It's a bold assertion: our world isn't solid matter but a computational subset, echoing ancient doubts from Plato's shadowed cave to Zhuangzi's fluttering butterfly.

    The experiment unfolds in Falcon Space, a hub for unconventional propulsion research, where Goler and partner Carter fine-tune their apparatus inside a Faraday cage. Mark, the lab's owner, steps up first, his initial blank stare giving way to tentative wonder. Tom follows, describing a vast green-black sphere teeming with microscopic motions, like gazing into a cosmic window. Jay, the third, spots Hebrew-like letters amid buckyball fields, grappling with whether it's mind or matter at play. These shared glimpses—tetrahedrons here, characters there—allow real-time verification, bridging the solitary subjectivity of psychedelics with collective evidence. Over 3,000 have reportedly seen it, Goler notes, akin to eyewitness testimonies stacking up in a courtroom.

    DMT, the key igniter, isn't some alien elixir; it's brewed in our brains, rivaling serotonin in potency. Traditional shamans have harnessed it in ayahuasca for millennia, summoning visions of other realms. Goler stumbled upon his method chasing a deeper question: Do psychedelic spaces persist when unobserved, like quantum particles or video game assets? Lasers, he reasoned, might pierce the boundary, and four years later, the code persists—unaffected by magnets or melodies. Entities occasionally emerge, insectoid weavers of our grid, as in Goler's Pasadena vision of satellite arms assembling reality zigzag by zigzag. It's no mere trip; it's a glitch exposing the simulation's machinery.

    Critics counter with optics and suggestion, yet the phenomenon's consistency nags. Why do disparate viewers converge on similar symbols? Goler shuns persuasion, quoting Terence McKenna: If real, it withstands scrutiny. Simulation theory, once sci-fi fodder, now boasts 50/50 odds from philosophers like Nick Bostrom—nested universes where base reality is the outlier. Reverse the Matrix: computation is the true fabric, our physics a skimpy render. This gut-punches, evoking puppet strings, but Goler reframes it—simulations atop simulations mean consciousness reigns supreme, pain and purpose intact.

    Ultimately, Goler's pursuit doesn't shatter illusions but invites rewriting the script. Even if DMT merely amplifies inner worlds, its natural ubiquity hints at humanity's latent capacity for multidimensional sight. As labs like Falcon push boundaries, the code beckons: a microscope to infinity, challenging us to code our own flourishing amid the symbols.